- Cronología
- Ca. 1794 - 1795
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 173 x 101 mm
- Técnica y soporte
- Aguada de tinta china sobre papel
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 09 Mar 2011 / 29 Jun 2023
- Inventario
- (D. 4184)
- Otros títulos:
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Muchacha bailando al son de una guitarra
Baile andaluz
See Young woman with forehead wearing a small hat.
Line of provenance: Javier Goya, Mariano Goya, Valentín Carderera (ca. 1861), Mariano Carderera (1880). The Directorate General of Public Instruction, which acquired the collection of Goya drawings owned by Mariano Carderera, assigned it to the Prado Museum by Royal Order of 12 November 1886.
See Young woman with forehead wearing a small hat corresponding to the first drawing of the Sanlúcar Album or Album A. A dancer is standing in profile, wiggling her body and stamping her feet on the floor to the melody of a guitarist, who is seated on a chair in the background. Although she appears to be standing still, she evokes a latent movement as can be seen in the opposing position of her feet. There is a clear attempt at perspective, drawing the figure of the guitarist with softer strokes. According to the traditional interpretation of Album A, this scene is an expression of Goya's experiences on his trip to Andalusia and his stay in Sanlúcar de Barrameda in 1796, where he became familiar with flamenco. But this belief contradicts the chronology now assumed for Album A.
On the reverse of the sheet is the drawing The Duchess of Alba holding Maria de la Luz in her arms.
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Austellung. Francisco de GoyaGalería Paul CassirerBerlin1907cat. 4
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Permanencia de la memoria, cartones para tapiz y dibujos de GoyaMuseo de ZaragozaZaragoza1997organized by Gobierno de Aragón, Museo Nacional del Prado and Patrimonio Nacional, consultant editor Fernando Checa Cremades. From February 14th to April 6th 1997cat. 8
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Goya. La imagen de la mujerMuseo Nacional del PradoMadrid2001from October 30th 2001 to February 10th 2002. Exhibitied also at the National Gallery of Art, Washington, March 10th to June 2nd 2002, consultant editor Francisco Calvo Serrallercat. 98B
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Madrid2019cat. 28
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El mundo de Goya en sus dibujosBibliography']['numberMadridUrbión1979
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Goya’s Caprichos. Beauty, Reason and CaricatureBibliography']['numberNueva JerseyPrinceton University Press1953vol. II, fig. 6
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Los dibujos de Goya, 2 vols.Bibliography']['numberMadridAmigos del Museo del Prado1954cat. 220
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Eight Books of Drawings by GoyaThe Burlington MagazineBibliography']['numberLondon1964p. 24, cat. f
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Vie et ouvre de Francisco de GoyaBibliography']['numberParísOffice du livre1970p. 171, cat. 361
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Dibujos de Goya: Los álbumesBibliography']['numberBarcelonaNoguer1973p. 42, cat. A.e [6]
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El mundo de Goya en sus dibujosBibliography']['numberMadridUrbión1979pp. 47-48
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La duquesa de Alba, «musa» de Goya. El mito y la historiaBibliography']['numberMadridEdiciones el Viso, Museo Nacional del Prado2006p. 135
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Bibliography']['number
MadridMuseo Nacional del Prado2019p. 93
